Corante

TOTAL EXPERIENCE explores designing for experience: its theory, its practice, and how designing for experiences affects us socially and in our personal lives.

YOUR T.E. CO-AUTHORS:

  • Bob Jacobson
  • Paula Thornton
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(NOTE: While we read all comments, we do not publish anonymous comments.)

About Your Authors
CORANTE BOB JACOBSON is fascinated by the experience of experience. A planner and technologist, Bob has a Ph.D. in Urban Planning & Design from UCLA. He's been a policy researcher, technology CEO, science writer, and consultant. As a Fulbright Scholar, he studied cellular telephony's impacts on transborder communities in the Nordic Arctic Circle. Bob edited Information Design (MIT Press 2000) and is now writing a book on the theory and practice of creating edifying, transformative experiences.
( Archive | Contact Bob )
CORANTE PAULA THORNTON says, "Understanding human behavior and designing interactions for human expectations are the means to achieve strategic differentiation. This is the focus of our discipline. It is not a Œnice to have‚ and is not, like documentation once was, an afterthought. It is the means by which to start a strategic discussion and the means by which to drive a tactical initiative. All design should be evidence-based."
( Archive | Contact Paula ) >
EXPERIENCE DESIGN:
THE METAVERSE....

CALENDAR OF EXPERIENCE DESIGN EVENTS
(Courtesy of Mark Vanderbeeken, Experientia SpA, Torino)

Experience Design Websites
Core 77 Website & Forum
Business Week|Innovate
InfoD: Understsanding by Design
The Wayfinding Place
Wayfinding Focus
Design Addict
L-ARCH (Landscape Architecture Mailing List)
DUX 2007 Conference
NetDiver.Net
DesignBoom
Digital Thread
Archinect
Enmeshed, Digital Arts & New Media
Ludology (Game Playing Theory)
Captology, Persuasive Computing
Space and Culture
Raskin Center for Humane Interfaces
timet (acoustical design)
Steve Portigal, Ethnographer
Jane McGonigal's Avant Game
Ted Wells' living : simple
PingMag (Japan)

Experience Design Blogs
Adam Greenfield's Speedbird
Experience Designer Network (Brian Alger)
SmartSpace: Annotated Environments (Scott Smith)
Don Norman
Doors of Perception (John Thackara)
Karl Long's Experience Curve
Work•Play•Experience (Adam Lawrence)
The David Report (David Carlson)
Design & Emotion (Marco van Hout)
Museum 2.0 (Nina Simon)
B J Fogg
Lorenzo Brusci (acoustics)
Cool Town Studios
FutureLab
Steve Portigal
Debbie Millman
MIT Culture Convergence Consortium
Luke Wroblewski, Functioning Form|Interface Design
Adam Richardson
Putting People First (Paul Vanderbeeken/Experientia
Laws of Simplicity (John Maeda)
Challis Hodge's UX Blog
Anne Galloways's Purse Lips Square Jaw
Bruno Giussani's Lunch over IP
Jane McGonigal's Avant-Game The Future of Work

Experience Design Podcasts
Ted Wells' living : simple Podcast
Design Matters Podcast, Debbie Millman
Icon-o-Cast Podcast, Lunar Design

Experience Design Firms and ED-Oriented Manufacturers
Barry Howard Limited
Hilary Cottam
LRA Worldwide, Inc.
BRC Imagination Arts
Stone Mantel
Experientia s.r.l
Nokia
Herman Miller
Steelcase
IDEO
Cooper Interactive Design
Gensler
Doblin Group
Fitch
Fit Associates
Jump
Strategic Horizons LLC (Joe Pine & Jim Gilmore)
Cheskin Fresh Perspectives

Education and Advocacy
Centre for Design Research, Northumbria University (UK)
Center for Design Research, Stanford University
International Institute of Information Design (IIID)
Design Management Institute
AIGA DUX
Interaction Institute IVREA
Design Research Institute (UK)
UC Berkeley Center for Environmental Design Research
History of Consciousness, UCSC
Design News Magazine
Society for Environmental Graphic Design (SEGD)
Design Museum London
Center for Sustainable Design
Horizon Zero, Digital Arts+Culture in Canada
Design Council UK
First Monday

Total Experience on Technorati
Technorati Profile

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March 2, 2007

The 5 P's of Design & Development

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Posted by Paula Thornton

Alternate Title: Microsoft Embraces New Work Spaces Reminicent of the Purple Sofa Era

Both titles bear a bit of explanation. Marketing has 4 P's used as a model for strategy: Product, Price, Promotion, Place. In the process of uncovering the details of events going on within one group at Microsoft, I realized that they'd effectively identified 5 P's for Design & Development. These are shared in the context of this piece.

As to the Purple Sofa Era, those of us who lived it, immediately identify with it. In the late '90s, nearly every dot.flop interactive agency (and even some internal corporate eBusiness groups) created more dynamic, creative physical work spaces to support the different work they were intending to generate, and to attract highly-creative resources.

purple%20sofa%202.jpg These environments seemed to have common elements: purple sofas, Herman Miller furniture (especially Aeron chairs), writeable walls, and foosball tables. What is disheartening is that what follows in this piece was clearly suggested, with research (The People Are the Company), in 1995. So we're a little slow on the uptake.

There are two supporting media pieces: the short version (a 15 minute tour of Microsoft's Patterns & Practices Lab) and the long version (a 49 minute interview describing the evolution of the group and their workspace).

Notes and Observations...

The Microsoft Patterns & Practices group insists that their focus is to help customers build better solutions with less effort. They evolved out of the Agile development approach and decided that their workspaces did not meet the needs of the work they needed and wanted to do. Given that they started, as many intensive workgroups do, in a hijaacked conference room (a 'war' room in many companies), their new spaces reflect this close quarter, communal interaction -- complete with glass 'whiteboard' wall panels which can be moved and reconfigured as needed. They suggest that it's a natural way of working. The details of the space itself is best experienced via the tour.

With a specific focus on the experience design of application developers, their group finds ways to directly interface with representative customers. They have people on their team whose job it is to find these people, to talk with them, and in some cases to bring them in to the "Customer Room" -- where the team comes to directly interact with customers. As they talked through their approach to design the 5 P's came through.

Pain: What are their challenges? What do they have to deal with repeatedly?
Possibilities: What can be easilty changed or influenced?
Patterns: These emerge both out of the pain and the possiblities.
Parts: These are the explicit representations of patterns.
Practices: These are the means and the methods to facilitate the other P's.

They attribute the success of their approach two things: 1) People want to tell you how to help them and 2) Their development approach embraces delivery within tight feedback loops and the approach is extended to a community of practitioners who participate in the building of solutions. The latter can only happen when companies can likewise drop their concerns for intellectual property: "We share as much as we can...because then we can see where people take the thing." [So effectively, by observing behaviors, design is informed...hmmm, novel (sorry for the pointed sarcasm).]

Their documentation is written as a story: "They wanted to know why we made the decisions we made and how we made the decisions." This supports one of my axioms of relevant design -- one that I drop on vendors all the time: If this is the answer, what was the question?

There's no such thing as correct...that's why we don't say best practices, we say proven practices.

They understand the significant of context: a practice that works in one context might not work in another context.

They also extend their charter to helping the other product groups improve their results (that would be good news for the rest of us).

Their teams are structured cross-functionally: developers, testers, architects, a project manager and a product manager all work together in the same space. There are project spaces and offices, but even the offices are often recombined to house a 'set' of pracitioners (e.g. the architects). The inclusion of a product manager should not be lightly taken, or dismissed because of the nature of Microsoft's business. I firmly believe that the IT industry as a whole has underachieved its potential for not recognizing that everything they put out is a product (or service) and as such needs the focus and related activities which a product manager would bring to a project that is different from a project manager. Had that been the case, experience design would have evolved much more rapidly than it has.

Their approach testifies to a critical 'blue message' (a message we repeat so much our faces turn blue): there is no such thing as phases (as in classic development methods -- esp. requirements, design, etc.) -- its' all continuous. Classic application development is dead -- or is something that will only be practiced by companies who are intent on dying.

What really made this [work] for us is the team of people who love to work together and love to solve customer problems...the facility makes it that much easier.

Ah...solving customer problems circles us back to Design Thinking...it's all one great whole.

[The group hug at the end is classic. My thanks to all three of the unique personalities: Rory, Peter and Edward.]

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